Inside the café "Les Deux Magots", two superb
Asian statues still adorn the central pillar of this famous Parisian
café, watching over the terraces on the Place Saint Germain des Pres as
they have been doing for over a century.
The café started life
in 1813 as a drapery, selling silk and other luxury items. It took its
name 'Les Deux Magots' from a successful play of that time: 'The Two
Magots of China'.
By 1884 "Les Deux Magots" had transformed
itself into a wine merchant's on the corner of St Germain des Pres just
as the area was transforming itself into a artistic quarter with the
presence of the publishers Grasset and Gallimard and the theatre 'Le
Vieux Colombier'.
In 1914, Auguste Boulay, an ancestor of the
present owners, realised the potential of the building's location.
After a refurbishment, the café "Les Deux Magots" emerged, and rapidly
became the place to "see and be seen". Soon, legendary figures of the
art world were frequenting the café : Verlaine meets Mallarme, Oscar
Wilde takes tea, Guillaume Appolinaire and others have animated debates
on important issues of the day.
With the twenties came the
exuberance and energy of the surrealist movement and its leading
proponents could be found in passionate discussions over a coffee or a
drink in "Les Deux Magots". Then in 1933, after Andre Malraux had been
awarded the prestigious Goncourt Prize for an academic novel, a group
of enthusiastic writers decided that there should be another
independent prize for talent and originality. At that moment "Le Prix
des Deux Magots" was born and it was first awarded to Raymond Queneau
for 'Le Chiendent'.
In the tense pre-war atmosphere, Saint Germain
des Pres became the intellectual centre of Paris : Gide, Guehenno,
Malraux and Chamson regularly ended up in discussions on the café
terrace. Paul Eluard introduced Dora Maar to Picasso at "Les Deux
Magots". Françoise Giroud would have a coffee with Saint Exupery while
Paul Morand would be deep in conversation with his friend Jean
Giraudoux.
Every morning, Jean Paul Sartre with Simone de
Beauvoir would take his seat at "Les Deux Magots" and write for hours,
often without pause, but sometimes stopping to talk to Ernest
Hemingway, another regular customer.
In the decades that
followed up until the present day, "Les Deux Magots" has been a witness
to the changes in art literature, philosophy and politics. Its history
and its combination of tradition with modernity ensures a continued mix
of clientele, eclectic and international.
From the book of Arnaud Hofmarcher
"Les Deux Magots" chronique d'un café littéraire - Ed.Le Cherche Midi